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Till dig som ser p\u00e5 \u2013 St\u00f6d f\u00f6r anh\u00f6riga till HBTQ-personer<\/strong><\/h3><\/div>

Utifr\u00e5n min bok Till dig som ser p\u00e5<\/em> pratar jag om situationen f\u00f6r den \u00e4r anh\u00f6rig eller st\u00e5r n\u00e4ra en (ung) HBTQ-person. Det blir b\u00e5de fakta och forskning blandat med de intervjuer jag har gjort i boken och s\u00e5 visar jag de metoder och \u00f6vningar som jag har tagit fram och hur du kan anv\u00e4nda dem f\u00f6r att hantera oro, skapa ett \u00f6ppet klimat och fokuserar p\u00e5 det du g\u00f6r bra<\/p><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n
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Att m\u00f6ta anh\u00f6riga till HBTQ-personer<\/h3><\/div>
Utifr\u00e5n boken Till dig som ser p\u00e5<\/em> s\u00e5 pratar jag om kunskap och verktyg f\u00f6r de som i sin yrkesroll m\u00f6ter anh\u00f6riga och de som st\u00e5r n\u00e4ra en HBTQ-person. Hur hanterar vi oron? Vad s\u00e4ger forskningen? Hur ser oh\u00e4lsan ut hos unga HBTQ-personer? Det \u00e4r \u00e4mnen jag g\u00e5r igenom och visar p\u00e5 de modeller och \u00f6vningar jag har skapat i boken och hur du som yrkesverksam kan anv\u00e4nda dem. H\u00f6r av dig via formul\u00e4ret nedan med din f\u00f6rfr\u00e5ga<\/p><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n
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Anh\u00f6rigskap<\/h3><\/div>
Relationer \u00e4r n\u00e5got vi befinner oss i och \u00e4r komplexa skeenden, ett anh\u00f6rigskap \u00e4r ett exempel p\u00e5 ett s\u00e5dant skeende men ocks\u00e5 n\u00e5got som fylls med mycket f\u00f6rv\u00e4ntningar och f\u00f6rest\u00e4llningar. Utifr\u00e5n de material jag har tagit fram om anh\u00f6rigrollen pratar jag om anh\u00f6rigskap och begrepp som h\u00f6r samman med det. Jag g\u00e5r \u00e4ven igenom \u00f6vningar och metoder man kan anv\u00e4nda f\u00f6r att prata om olika delar av ett anh\u00f6rigskap.<\/p><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n
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Makt inom grupper<\/h3><\/div>
En grupp eller en r\u00f6relse \u00e4r ofta ett spektrum d\u00e4r det ryms flera olika sorters grupper, m\u00e5l- och intressekonflikter. Genom att prata om detta och jobba med gruppens olika delar och hur makt f\u00f6rdelar sig inom gruppen f\u00e5r vi syn p\u00e5 de strukturer som finns och hur vi kan arbeta med det. Jag b\u00e5de f\u00f6rel\u00e4ser, utbildar och processleder inom detta och hj\u00e4lper er g\u00e4rna.<\/p><\/div><\/div>\n<\/div><\/div><\/div>\n<\/div><\/section><\/div>\n\n\n\n
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Representation och stereotypisering<\/h3><\/div>

Stereotyper: Vad \u00e4r stereotypisering och vilka konsekvenser f\u00e5r det?
Representation: Representationsteori utifr\u00e5n Richard Dyer och Stuart Hall.
Vad \u00e4r representation och vem kan s\u00e4gas representera vad?
Mikrohandlingar: f\u00f6rtryck i det lilla formatet. typer av hat och v\u00e5ld och hur de tar sig i uttryck.\u00a0
Tokenism: N\u00e4r \u00e4r n\u00e5gon en representant och n\u00e4r \u00e4r den en individ.
Kritisk massa: Vad det \u00e4r och hur det uppst\u00e5r.\u00a0
Bilder och spr\u00e5k: Hur p\u00e5verkas v\u00e4rlden av vilka bilder och ordval vi anv\u00e4nder.<\/p><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n
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Illustrerade utanf\u00f6rskap och kodade meddelanden \u2013 Samk\u00f6nat beg\u00e4r i konsten<\/h3><\/div>
I den h\u00e4r f\u00f6rel\u00e4sningen g\u00e5r jag igenom historiska exempel p\u00e5 hur samk\u00f6nat beg\u00e4r har kodats och dolts inom konsten och vad du beh\u00f6ver f\u00f6r att f\u00f6rst\u00e5 och l\u00e4sa av dem. Det \u00e4r en f\u00f6rel\u00e4sning om hur samk\u00f6nat beg\u00e4r har gestaltats under tider d\u00e5 det var f\u00f6rbjudet eller tabu och vilka sp\u00e5r det l\u00e4mnat efter sig i konsten, i konstn\u00e4rskapet och livet. F\u00f6rel\u00e4sningen har utg\u00e5ngspunkt i bland annat de svenska konstn\u00e4rerna Eug\u00e8ne Jansson och G\u00f6sta Adrian-Nilsson och den finska illustrat\u00f6ren Tom of Finland. F\u00f6rel\u00e4sningen blandar teoretiska resonemang med praktiska exempel samt anekdoter.<\/p><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n
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Eug\u00e8ne, G\u00f6sta och manskropparna<\/h3><\/div>
En f\u00f6rel\u00e4sning om konstn\u00e4rerna Eug\u00e8ne Jansson och G\u00f6sta Adrian-Nilsson, om deras konst, deras m\u00e4n och deras samtid. B\u00e4gge konstn\u00e4rerna m\u00e5lade nakna m\u00e4n, g\u00e4rna fr\u00e5n marinen och var konsumenter av soldatprostitutionen. Deras konst har helt olika uttryck och de har b\u00e5da skrivits fram p\u00e5 olika s\u00e4tt vilket p\u00e5verkar historieskrivningen kring dem. I den h\u00e4r f\u00f6rel\u00e4sningen tittar vi p\u00e5 varf\u00f6r och vad vi kan l\u00e4ra oss av det.<\/p><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n
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F\u00f6r regnb\u00e5gsintresserade bibliotek: HBTQ- Vad vet du?<\/h3><\/div>
En interaktiv workshop i quizformat som behandlar HBTQ inom litteraturhistorien.<\/strong>
Deltagarna f\u00e5r dela in sig i lag. F\u00f6rsta halvtimmen \u00e4r ett quiz som behandlar HBTQ inom historien ur ett historiskt perspektiv. Den resterande tiden \u00e4r en f\u00f6rel\u00e4sning som presenterar svaren fr\u00e5n quizet och ger djupare kunskap kring representation, HBTQ-historia och bem\u00f6tande samt strategier f\u00f6r bibliotek. Det avslutas med en sammanfattning, \u00f6ppet f\u00f6r fr\u00e5gor och prisutdelning. Workshopen genomf\u00f6rs digitalt i verktyget Wonder, eller fysiskt p\u00e5 plats, f\u00f6r f\u00f6ranm\u00e4lda deltagare och kan genomf\u00f6ras b\u00e5de f\u00f6r allm\u00e4nheten och f\u00f6r personal. <\/p><\/div><\/div>\n<\/div><\/div><\/div>\n<\/div><\/section><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":12207,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_oct_exclude_from_cache":false,"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"jetpack_post_was_ever_published":false,"footnotes":""},"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"jetpack-portfolio-admin-thumb":false},"uagb_author_info":{"display_name":"Emil \u00c5ker\u00f6","author_link":"https:\/\/www.emilakero.se\/author\/emil-akero\/"},"uagb_comment_info":0,"uagb_excerpt":null,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6BHne-3cj","_links":{"self":[{"href":"https:\/\/www.emilakero.se\/wp-json\/wp\/v2\/pages\/12295"}],"collection":[{"href":"https:\/\/www.emilakero.se\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.emilakero.se\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.emilakero.se\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.emilakero.se\/wp-json\/wp\/v2\/comments?post=12295"}],"version-history":[{"count":2,"href":"https:\/\/www.emilakero.se\/wp-json\/wp\/v2\/pages\/12295\/revisions"}],"predecessor-version":[{"id":12305,"href":"https:\/\/www.emilakero.se\/wp-json\/wp\/v2\/pages\/12295\/revisions\/12305"}],"up":[{"embeddable":true,"href":"https:\/\/www.emilakero.se\/wp-json\/wp\/v2\/pages\/12207"}],"wp:attachment":[{"href":"https:\/\/www.emilakero.se\/wp-json\/wp\/v2\/media?parent=12295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}